Tuesday, July 18, 2017

6th Annual Art Fair (dFAF)

I'm spending a lot of time leading up to the 6th Annual dFAF making sure everything is going smoothly for the Saturday, August 6, 2017 event featuring work by 50 artists and eight bands! Everything you need to know is on the website, detroitfaf.com
Finding artists is fun, I love looking at new artwork and meeting new people!
I'm still painting; I've been doing lots of pinstriping lately, see my new work on my website, juliefournier.com

Sunday, January 17, 2016

Networking and Promoting

Networking, as we all know, is pretty important these days. I was happy to be able to meet with the organizers of several events that happen locally, Earth Day and Pagan Pride being two of them. They gave me some fantastic ideas on how to promote the Hazel Park Art Fair that I organize and produce, and a few new ways to get the word out about it. We met at a local coffee shop and discussed how we could help eachother have our events grow and support our community. I feel pretty good right now!

Here's the link to the events that are going to help me with mine, they're worth checking out, since they support our First Amendment rights~

Saturday, January 16, 2016

Flint Water Run

The tragedy unfolding in Flint, MI is man made. Babies, children, and adults have been poisoned with lead in their drinking water. 100,000 residents of Flint do not have a water source. The President called in the National Guard, but with only 30 guardsmen delivering to only 500 homes per day, it would take 200 days to reach every person. That's unacceptable.

So, I did what I could do: I posted on Facebook asking for help. Three people responded, very generously, with donations of water and money. One of the donors was the Congregation of Every 1 with 14 cases of water plus 14 two gallon jugs of water. I took the donated cash and bought enough water to donate a total of almost 200 gallons of water today. A good friend, B.p. LeGault, and I drove their donations to Flint today. Here are the pictures of that trip to the North End Soup Kitchen, a water distribution center for Flint residents to come and take bottled water however they can. Some walk, some ride the bus, some get rides, and the fortunate ones with cars drive.

I hope I can make another water run very soon, they will need more than they have now, it's an ongoing need and the government is failing them. It's up to us to help now.

Saturday, January 9, 2016

Lead and other toxic hazards

With the water crisis in Flint, MI, unfolding due to the lead contamination, I find myself hoping that the residents of that city are as aware of the dangers of getting lead on their skin from contact with their contaminated water as I am being a full time professional artist; I come into contact with a lot of potentially dangerous chemicals, like lead, and VOCs (volatile organic compounds, or poisonous fumes in the air) when I work, so I know how much of a health risk having lead on our skin is.

Since I use some very toxic chemicals for my everyday work, I have to constantly remind myself how important it is for me to practice good safety measures, like keeping paint off my skin, especially when it contains lead. I know many of you are thinking, "but they took lead out of paint years ago!". Yes, and no. Lead was removed from latex paint sold for residential applications, like painting your living room walls, but it can still be found in a lot of art supplies, like ceramic glazes, and even some types of artist's paints. I have been gifted old cans of paint with lead in them still, which I love using on murals since the paint is so incredibly wonderful in the way it goes on with a lot less work, and I purchased a tube of Lead White oil paint not that long ago for it's opaque (can't see through it) qualities. Even when there is no lead in paints, like titanium white, there are still a lot of other chemicals in those paints that are poisonous if ingested, and we do absorb things through our skin, which is the largest organ "on" our body. Many pigments, like cadmium, are poisonous, just like lead is poisonous.

Then there are the "liquid" carriers of the solid pigments (pigments are what give paint its color), so the paint flows. In most tubes of oil paint the carrier is linseed oil, which isn't toxic, unlike oil paint's well known companion, turpentine. While I tend to shy away from using turpentine as a thinner or cleaner, I still find it essential when I want to make a glaze for my oil paintings (so I get that wonderful depth of color that only oil paint can give). The lettering enamel many pinstripers (myself included) prefer to use is thinned with some pretty toxic chemicals like benzene and xylene, well known dangers to our health! Painting indoors isn't a great way to have adequate ventilation for those smelly thinners that are poisonous when inhaled, so I have to make sure to put a fan in the window, or open the door even in winter to get fresh air to avoid nerve damage from the thinners like turpentine, or the ones I use when I pinstripe. I've even been known to wear a certified respirator (as dust masks don't filter out the thinners with their tiny molecules that are VOC's, dust masks only filter out the big pieces of dust, the VOCs still get through and cause serious long term damage, which is why a lot of older painters shake, or die from lung cancer).

Again, it's important to keep it out of my lungs off my hands, because our skin readily absorbs these things. If I know clean up is going to be messy (and a lot of times it is), I wear special gloves as a barrier between the poison and my skin.

Remember, safety precautions are pretty easy to implement, and they really pay off in the long run! Our health is priceless, make sure you take care of yours.

Be warm and well.

Friday, January 8, 2016

Happy New Year!

Well, it certainly has been a little while, hasn't it? That's been great news, though, as I've been so very busy working I haven't had time to write about it! It's been a wonderful run for me, and I finally have a break to take time to blog a bit. I'm so thrilled to have had job after job for over a year without interruption. Right now, I"m enjoying some rest! The Henry Ford museum had me work on every single carousel animal last year, and I'm going back this year in their off season to do more touch up work on them. I also did a Brewster horse drawn carriage for the museum, as well as pinstriping on some carriage wheels, and I did a LOT of lettering on a diorama on the wall in the Roundhouse there! Whew! I pinstriped plenty of cars and motorcycles over the summer, did a couple neon signs, and generally enjoyed myself immensely! In the middle of all that, I planned the 4th Annual Hazel Park Art Fair, which was a big success. I'm so proud of that event and all the people who participated in it and made it happen. We were able to donate another $1,000 to a college tuition fund for local graduates, as well as $800 to our Parks & Recreation department to help upkeep our neighborhood parks! It was an amazing year. I'm looking forward to seeing how this one is going. It's starting off with me working on an original oil painting for this year's Dirty Show. I haven't painted yet today, but I"m sure I will before it's over! Remember, you can check my website for updates on where I'll be next! Be warm and well, see you soon!

Friday, October 3, 2014

Avoiding Pitfalls

We've all done it: made a mistake and learned from it. Some mistakes are more costly than others. I've made my fair share of mistakes in my business dealings, and I'm here to share what I've learned with you. Maybe it'll save you the embarrassment or heartaches that I've been through. Please feel free to add any suggestions in the comments section below.

Number one point I can't stress enough is ALWAYS have a contract signed!

In your contract you should specify EXACTLY what the job entails in as much detail as possible. I can't tell you how many times I've said "Mural job" "$price" only to have my client misunderstand and assume the singular "job" includes another. Bad, bad, bad. So, my lesson learned is this: Be exact with details! I wrote that twice, for emphasis.

Agree on price up front. Make certain that your client knows exactly how much they will be paying you, and a deadline for when you will get paid. I highly recommend getting a 50% deposit before you even start to think about the details of any job. Ever. It weeds out no shows and other non serious types.

Set a time frame that is reasonable for YOU. Use your calendars, people. Be professional. Show up when you say you will. If they're not there, you can charge them for your time (yes, put that in your contract, too.) If the client causes you to run over the time you allot to any given project, or to cost more than you quoted, charge them, and make sure to stipulate that in your contract! (I have my contract online if anyone wants to copy it for their own use, it's free, go ahead. Use it. Spare yourself a lot of misery! You read my contract (and copy it to use for yourself if you like) below.

My contract has been tweaked over the years as I've lived and learned the hard way. I'm hoping that this blog (and shared contract) can be used by newbies so they don't have to learn the hard way like I did. Good luck and happy hunting. :)

*********************************************************************************************

Design Product Agreement

What is your budget? ________________________________________________

What type of project is this?

What is the objective/criteria for your project?



CLIENT

Date ______________________________________________________________ Commissioned by ___________________________________________________ Purchase Order Number ______________________________________________ Job Number________________________________________________________

DESCRIPTION OF ASSIGNMENT:



Use:



DESCRIPTION OF MATERIALS TO BE SUPPLIED BY CLIENT:

(Final Date Due is predicated on receipt of all materials to be supplied by Client)

Materials Supplied by: (date)_____

Initial Version work starts after all materials are received. Due dates, milestone dates, and any early-completion reward dates mentioned shall be delayed by the number of days by which the Materials Supplied by the Client are late.



RIGHTS TRANSFERRED:

The material transferred can be used only for the purposes stated below. All other use(s) and modification(s) is (are) prohibited. All rights not transferred remain the property of (Insert your business name here, henceforth referred to as STUDIO). Usage beyond that granted to the Client herein shall require payment of a mutually agreed upon additional "Reuse Fee" subject to all terms.

All materials, including the intermediate milestone deliverables, may not be copied without the permission of (Your Studio).

Any transfer of rights is conditional on receipt of full payment.



PRODUCTION SCHEDULE (INCLUDING MILESTONES, DATES DUE, AND FEES DUE)

Milestone Date Due Payment Due

Contract Signing (50% deposit required)____US$_____________ Delivery of (service or product provided) ______ US$_____________ Total US$ ____________

Client agrees to pay STUDIO a bonus of US$___0___per day in the event an acceptable Final Version of the site is delivered to the Client prior to____0_____ (date).

ESTIMATED DATE DUE: ___________________________

ESTIMATED EXPENSES: _____________________________

The Client shall reimburse STUDIO for all expenses. Expense amounts (in US$) are estimates only.

Illustration __________ Printing (If brokered by STUDIO)_______ Photography __________ Client's Alterations _________ Communication _________ Materials & Supplies__________ Transportation & Travel _________ Type __________ Messengers _________ Stats, Proofing & Copies_______ Shipping & Insurance _________ Mechanicals ___________ Other Expenses _________

Subtotal : ____________

Supervisory and Handling fee: ___0____

Sales Tax (on applicable items): ______

TOTAL : ______________



TERMS:

1. Time for Payment Payment is due at each milestone due date as noted in the Production Schedule. All invoices for Billable Expenses are payable within thirty (30) days of receipt. A 1.5% monthly service charge is payable on all overdue balances of milestone payments and Billable Expenses. STUDIO retains all rights to all intermediate deliverables submitted at each milestone. The grant of any license or right of copyright to the Client is conditioned on receipt of full payment by the Client of the Total amount and all Billable Expenses.

2. Default in Payment The Client shall assume responsibility for all collection of legal fees necessitated by default in payment.

3. Estimates If this form is used for an estimate or assignment proposal, the fees and Billable Expenses shown are minimum expenses only. Final fees and Billable Expenses shall be shown when invoice is rendered. The Client's approval shall be obtained for any increases in fees or expenses that exceed the original estimate by twenty percent (20%) or more.

4. Billable Expenses The Client shall reimburse STUDIO for all direct and indirect billable expenses arising from this assignment, regardless of whether the assignment is Cancelled or Terminated. Billable Expenses include but are not limited to costs of commissioning images or subcontracting talent, software or run-time license costs, the payment of any sales tax due on this assignment, any travel, research, postage and delivery, photocopying, and storage media expenses. The markup charged by STUDIO for supervisory and handling time on all Billable expenses shall be_____percent of the Billable Expenses incurred. The Client shall advance US$_____to STUDIO upon the acceptance of the Design Product for payment of said Billable Expenses.

5. Client's Alterations There shall be no charges to the Client for revisions or corrections or additions made necessary by errors on the part of SES. Any other changes requested by the Client shall be considered Client's Alterations if they are requested after the acceptance of the Design Product. Any changes and additions not due to the fault of SES and requested by the Client before the approval of one of the Site Designs are not considered Client's Alterations. The Client shall be responsible for making additional payments at the rate noted herein for any Client's Alterations and any other changes in original assignment requested by the Client. However, no additional payment shall be made for changes required to conform to the original assignment description. The Client shall offer SES the first opportunity to make any changes.

6. Acceptance Procedures Unless otherwise noted in Acceptance milestone dates of the Production Schedule, during the Review Period within_____calendar days of a Delivery, the Client shall either accept the deliverable and make the milestone payment set forth in the Production Schedule, or provide SES with written notice of any corrections to be made and a suggested date for completion of the corrections which should be mutually acceptable to both STUDIO and the Client, or provide a written notice of assignment Termination if the work is found not to be reasonably satisfactory. The Client can Terminate the assignment only during this Review Period following the Delivery of a milestone deliverable. Any other Termination of the Assignment shall be considered a Cancellation subject to the stipulations of Item 7. SES shall designate _________________________________and the Client shall designate ________________________________________________________________________________________________________________________________________________as the only designated persons who will send and accept all deliverables and receive and make all communications between SES and the Client. Neither party shall have any obligation to consider for approval or respond to materials submitted other than through the designated persons listed above. Each party has the right to change its designated person upon ______calendar day(s) notice to the other.

7. Cancellation The Client may declare the Cancellation of the assignment for reasons not related to assignment Termination defined in Item 6. In the event of Cancellation of this assignment by the Client, any milestone payments made prior to cancellation shall be retained by SES. In addition, if cancellation is prior to the delivery of the Design Comps, a cancellation fee of fifteen percent (15%) of the balance of the Total payments shall be paid by the Client. If the cancellation is later but prior to the acceptance of a Design Comp, a fee of thirty percent (30%) of the balance of the Total payments shall be paid by the Client. If the cancellation is later but prior to the delivery of the Initial Version, the cancellation fee shall be fifty percent (50%) of the balance of Total payments. If the cancellation is after the delivery of the Initial Version, the cancellation fee shall be one hundred percent (100%) of the balance of all remaining dues. Regardless of when the project is cancelled, all billable expenses already incurred by STUDIO, or STUDIO is liable to pay for, shall be paid by the Client in full. In the event of cancellation, STUDIO retains ownership of all copyrights and any original artwork.

8. Assignment Termination In the event that work in process is found by the client not to be reasonably satisfactory in accordance with the Acceptance Procedures in Item 6, the client may pay a termination fee to Terminate the assignment. Any milestone payments made prior to Termination shall be retained by STUDIO. If assignment Termination occurs prior to the acceptance of a Design Comp, the client shall pay a rejection fee of ten percent (10%) of the balance of Total payments. If Termination occurs after the delivery of the Initial Version, the Termination fee shall be twenty percent (20%) of the balance of Total payments. If Termination occurs after the acceptance of the Initial Version, the Termination fee shall be one hundred percent (100%) of the balance of Total payments. Regardless of when the assignment is Terminated, all billable expenses already incurred by STUDIO, or STUDIO is liable to pay for, shall be paid by the Client in full. In the event of Termination, STUDIO retains ownership of all copyrights and any original artwork created by STUDIO. However, the Client retains all rights already purchased by STUDIO on behalf of the Client from third parties.

9. Ownership and Return of Artwork The Client acknowledges and agrees that STUDIO retains ownership of all original artwork, in any media, including digital files, whether preliminary or final. The Client waives the right to challenge the validity of STUDIO's ownership of the art subject to this agreement because of any change or evolution of the laws. The Client shall return such artwork within thirty (30) days of use unless indicated otherwise below:

10. Copy Protection The Client must protect all final art which is the subject of this agreement against duplication and alteration.

11. Credit Lines STUDIO and any other creators shall receive a credit line with any editorial usage. If similar credit lines are to be given with other types of usage, it must be so indicated here:___________________________________________________________________ ________________________________________________________________________________________________________________________________________________

12. Releases The Client shall indemnify STUDIO against all claims and expenses, including reasonable attorney's fees, due to Client's uses for which no release was requested in writing from STUDIO or for Client's uses which exceed authority granted by a release by STUDIO.

13. Modifications of the Agreement Modifications of the Agreement must be written, except that the invoice may include, and the Client shall pay, fees or expenses that were orally authorized by the Client in order to progress promptly with the work.

14. Code of Fair Practice The Client and STUDIO agree to comply with the provisions of the Code of Fair Practice, a copy of which may be obtained from the Joint Ethics Committee, P.O. Box 179, Grand Central Station, New York, New York, 10017, USA, or is available on the World Wide Web at http://www.RoosterGraphics.com/ADMIN/commission.html.

15. Warranty of Originality STUDIO warrants and represents that, to the best of its knowledge, the work assigned hereunder is original and has not been previously published, or that consent to use has been obtained on an unlimited basis; that all work or portions thereof obtained through the undersigned from third parties is original or, if previously published, that consent to use has been obtained on an unlimited basis; that SES has full authority to make this agreement; and that the work prepared by SES does not contain any scandalous, libelous, or unlawful matter. This warranty does not extend to any uses that the Client or others may make of SES 's product which may infringe on the rights of others. CLIENT EXPRESSLY AGREES THAT IT WILL HOLD STUDIO HARMLESS FOR ALL LIABILITY CAUSED BY THE CLIENT's USE OF STUDIO's PRODUCT TO EXTENT SUCH USE INFRINGES ON THE RIGHTS OF OTHERS.

16. Limitation of Liability Client agrees that it shall not hold STUDIO or its agents or employees liable for any incidental or consequential damages which arise from STUDIO's failure to perform any aspect of the Project in a timely manner, regardless of whether such failure was caused by intentional or negligent acts or omissions of STUDIO or a third party. Furthermore, STUDIO disclaims all implied warranties, including the warranty of merchantability and fitness for a particular use.

17. Dispute Resolution Any disputes in excess of one thousand (1000) US dollars arising out of this Agreement shall be submitted to binding arbitration before the Joint Ethics Committee or a mutually agreed upon arbitrator pursuant to the rules of the American Arbitration Association. The Arbitrator's award shall be final, and judgment may be entered in any court having jurisdiction thereof. The Client shall pay all arbitration and court costs, reasonable attorney's fees, and legal interest on any award of judgment in favor of STUDIO.

17. Acceptance of Terms The signature of both parties shall evidence acceptance of these terms.

Date STUDIO Authorized Signature________________________________ Client Authorized Signature_______________________________ Client's name and title____________________________________

Saturday, April 21, 2012

Calligraphy

I'm taking a short break, to rest my hand, while I write this. I never seem to actually take breaks, though, what I do is switch activities, one motion for another. It seems to work. I can only write for about a half hour at a time now, before my arm and hand start to tell me I'd better take a break. So, in between work sessions I update my web page, do laundry or whatever else needs doing, then I go back to working on the project I took a "break" from. It's nice being my own boss and just being able to take frequent breaks, to take care of myself and not push too hard and get injured. I learned the hard way not to push myself too far (that Jeep job cost me use of my arm for over a year, ouch!).

The job I'm doing today is a basic one: address wedding invitation envelopes in black ink, with the Copperplate script I've been doing for 33 years. The paper isn't the smoothest, which makes me work a bit harder, it's more tiring on my shoulder since I have to go a LOT slower so as not to snag the nib on the paper's fibers and splatter ink all over and ruin the envelope. It's very tedious, but most envelopes are like that, I get lucky once in a while and someone will give me high quality paper that's a joy to write on, but it's rare. I'm going to try to add some guar gum to the ink to thin it out and see if that helps it flow better so I can use even less pressure - that will help me out quite a bit. You wouldn't think it, but I have to really grip the pen to make sure I'm just barely touching the surface, my muscles get fatigued after a while of that - it's your basic writer's cramp, plus some shoulder fatigue, all part of the job I guess. My set up isn't the most ergonomic, the table is higher than it should be, so my arm is up higher than is comfortable, but it works for the job well, so I just keep doing it. Once of these days I'll see about some other arrangement, but for now it's what I've got to work with. I make about $20 an hour doing calligraphy, not bad, but I do work for it! I almost wish I had more of it, but then I rememember how hard it is on my hand and shoulder, so it's good that I dont' get that much call for it, I'd probably get crippled if I did! I was sore all over yesterday, like I'd gone running, from holding my arm up, and from leaning over to put the finished placecards on the floor about a hundred and fifty times in a row (I spread them out to dry, the floor is nice and big, it holds a few hundred of whatever I'm working on while they dry, especially if the paper is coated and glossy, the ink can take a day to dry sometimes depending on humidity and temperature). It's like doing push ups almost, a great workout! I can really feel it today, and I dont' mind the "excercise", I can use it, it's good for me since I don't get much otherwise.

I know this isn't the most exciting blog, but some days are just kind of ho-hum, work-wise. Today is one of those days. Well, I guess it's back to work for me now!